Showing posts with label events. Show all posts
Showing posts with label events. Show all posts

Thursday, 2 July 2020

Locked Up Festival

This afternoon sees the opening of the first-ever Locked Up Festival, organised by Steve Cavanagh and Luca Veste of the brilliant Two Crime Writers and a Microphone podcast.

As you would expect from the title and, well, *gestures at the world* this is a virtual festival, which means you can attend from wherever you happen to be on the planet.

Just check out this amazing lineup...




I'm really proud to be helping open the festival at 2:30pm this afternoon. Our panel is on One Star Reviews (n.b. I've got enough, if you were thinking of kindly providing me with inspiration), and I'll be talking to Elly Griffiths, Chris Brookmyre and Mark Billingham about our best worst reviews.

Tickets for the full weekend are a mere £20, and every penny goes to support the work of the Trussell Trust. I believe ticket holders will be able to view panels on catchup after the live broadcast, which I guess is one big advantage over a physical festival.

Get your tickets here, but be fast, as it's almost sold out.

Sunday, 28 June 2020

OnLymeCrime

This weekend I should have been in Lyme Regis for the inaugural Lyme Crime festival. Sadly, COVID-19 put paid to that, but unlike most similar events, the estimable Paddy Magrane and his team decided that the show must go on (virtually).

I think it worked really well. Of course there's no substitute for being physically present at a festival, but the panels ran really smoothly over Zoom, and it was great that people were able to tune in from all over.

I was part of two events (one for What She Saw Last Night with Susi Holliday, one for Hunted with Tony Kent), and you can watch them both here.

I guess that's one advantage over live in person festivals - anyone in the world can 'attend' a panel, months after it's happened.

First up on Thursday, an encore version of the Train Noir tour Susi and I embarked on last Autumn. We talked about our train-themed mysteries and why night trains are so popular in crime fiction.


Then on Saturday morning, Tony Kent and I discussed our new action thrillers, and talked about the mechanics of a thriller in Setting the Pace. This one was live, so we were getting questions from the viewing audience, which worked pretty well.



There are over a dozen panels available to watch again at the Lyme Crime YouTube page, so head over there, subscribe, and experience a book festival from the comfort of your living room.

Saturday, 20 June 2020

Lyme Crime - see me twice!

Image may contain: text

Rather greedily, I'm going to be appearing at OnLyme Crime twice - once as Mason Cross, once as Alex Knight.

First up, I'm doing the TRAIN NOIR panel with SJI Holliday. We did a Train Noir tour in the Autumn for What She Saw Last Night and Susi's brilliant thriller Violet and it was so much fun, so I'm looking forward to the (virtual) reunion.

Then, on Saturday morning, I'm teaming up with Tony Kent for SETTING THE PACE, which should be a lot of fun too. He'll be talking about Power Play, which I read this year and absolutely loved. It's also the first-ever event for Alex Knight and for Hunted.

As you would expect, this is a virtual festival, and details of how to book your free ticket will be available soon, check out the Lyme Crime Facebook page for more details and the rest of the lineup.

Thursday 25th June, 6pm
Train Noir
SJ Holliday and Mason Cross discuss their most recent novels, both of which are set on trains, talking about the journeys that inspired them and how this particular form of travel lends atmosphere, momentum and claustrophobia to a thriller.

Saturday 27th June, 11am
Setting the Pace
When a book becomes a rollercoaster. Thriller authors Alex Knight and Tony Kent reveal the secrets to writing a page-turner.

Sunday, 3 November 2019

What She Saw Last Night - paperback tour




What She Saw Last Night is published in paperback in the UK later this month (either on the 26th or 28th, depending on whether you believe Amazon or Waterstones).

To celebrate, I'm doing three Train Noir events with Susi Holliday, of which more here, and two solo library events for Book Week Scotland.


18 November - Aberdeen (with SJI Holliday)
Central Library, 6pm

19 November - Glasgow
Dennistoun Library, 6:30pm

21 November - Kilbirnie
Kilbirnie Library, 6:30pm

22 November - Oban (with SJI Holliday)
Waterstones Oban, 7pm

25 November - Edinburgh (with SJI Holliday)
Waterstones Princes Street, 6:30pm

As far as I'm aware, all of these are free but ticketed, so get in touch with the venue for more details. Hope to see you on the trail!


What She Saw Last Night is available in ebook and audio now, and UK paperback from November 2019: click here to buy

Thursday, 24 October 2019

Train Noir tour


Delighted to be doing three events next month with the amazing SJI Holliday!

I think her latest book Violet is her best yet. It opens with two strangers meeting on the Trans-Siberian Express. Since my new book What She Saw Last Night also prominently features an iconic train, we thought it would be a great idea to join forces for a tour.

Here's where we'll be:


18 November - Aberdeen
Central Library, 6pm


22 November - Oban
Waterstones Oban, 7pm


25 November - Edinburgh
Waterstones Princes Street, 6:30pm

I believe tickets are free for all events - contact the venue for more details if you're planning to come along.


Saturday, 6 July 2019

On libraries




I've just finished a mini-tour of libraries for What She Saw Last Night (also available in all good bookshops, since you asked) and had a brilliant time, visiting eleven libraries at my last count, including Dundee, Strathaven, Saltcoats, East Kilbride, Lanark and lots more.

It was lovely to meet so many people and talk to them about the new book, and it was cool to hear about other people's experiences of taking the sleeper train to London - almost without exception, somebody in every crowd had taken the trip, and had opinions on it.

Everywhere I went, I was struck by how uniformly awesome librarians are, going above and beyond the call of duty to drum up attendance, make posters, do the social media blitz, provide home baking, arrange displays, offer lifts from stations, and even organise cheese and wine at one event.


It reminded me of an article I wrote for a newspaper a few years ago about how important libraries are to me, and how vital they are to local communities.

Unfortunately, the piece was spiked when they ran out of room, as is the way, but I dug it out and thought I would post it here for anyone who's interested.

You'll have to imagine your own punning tabloid title, I'm afraid...

***


"I know a lot of people who say they're writing a novel or a script, but what they're actually doing is sitting in Starbucks with a laptop talking to everyone about writing a novel."

I was part of an audience of several hundred people. Despite that, I had the uneasy feeling that comic book legend Mark Millar was talking specifically about me.

It was October 2008, and I was attending Mark's packed event at the Encounters festival, hosted by North Lanarkshire Libraries. Encounters runs every year. It's a fantastic free festival which brings big name speakers to libraries across North Lanarkshire. People who would never normally consider attending a literary festival can see a Booker Prize winner or a celebrity chef speak at their local library, absolutely free.


I was working two jobs at the time, and on a tight budget with a young family and an impending wedding, so the free ticket was very welcome. The local libraries were a lifeline to me in other ways. They meant I had access to all the books I could read without having to worry about finding extra money in the budget. Airdrie Library had a particularly good audiobook selection, and I listened to dozens of novels while delivering pizza in the evenings. The libraries also provided a quiet, indoor space to get some writing done.

Only that was the part I wasn't really taking advantage of.

I had wanted to be a writer for as long as I could remember. I had penned a few short stories, submitted some magazine articles, and had even started work on a novel a couple of times.


Actually writing a whole book, however, was one of those resolutions that gets renewed in vain every New Year. I wasn't worried, I knew one day soon I would knuckle down and start writing that book.

But sitting in that audience, I suddenly realised I was kidding myself. I was the guy Mark Millar was talking about. The guy sitting in a coffee shop thinking about writing a book without ever actually doing it.

I didn't want to be that guy.

 Mark's words really spurred me on. I had an idea for a novel, so I started writing a bit of it every day – 500 words at a time. I began submitting stories to competitions and magazines. Within six months, I had a literary agent. I kept writing. Three years later, I had a book deal.

I don't know if I would be a published author without that gentle kick in the ass from Mark Millar, but I'm almost certain I wouldn't be a writer without libraries. A room full of books that you can take away and read with no restrictions is an amazing concept that we sometimes take for granted – just ask any smart eight-year-old. It's why it's incredibly important that libraries are protected as a public resource, particularly the smaller community libraries that reach people who might not be able to make it to a bigger town.


Flash forward seven years to October 2015. I've published two novels and there's another on the way. I've just found out The Samaritan has been selected for the Richard & Judy Book Club. I've been booked for big literary events like the Edinburgh International Book Festival and Bloody Scotland. But I'm just as pleased about my invitation to appear at Airdrie Library to speak as part of Encounters. Back where I started.

I read a chapter from my next novel, talk a little bit about myself and wait for the first question.

"How does it feel to be a proper writer?"

It feels pretty great.

***

If you'd like me to visit your library, just ask them to get in touch. If your library is located in Scotland, funding for author events is available through the Scottish Book Trust's excellent Live Literature programme.



What She Saw Last Night opens with a night train, a dead body, and a missing child. You can read more about it here, and it's available in the UK now:

Trade paperback (large format)

ebook

Audio


Monday, 2 October 2017

Book Week Scotland events



I have a couple of library events lined up as part of the fabulous Book Week Scotland which is the week 27th November - 3rd December.

So far, I'm going to be at Dunblane Library on 28th November and Blantyre Library on the 30th - check out my events page for details and more dates as they're added.

If you'd like me to visit a library near you, ask them to get in touch. I'm happy to go pretty much anywhere, but if you live in Scotland libraries can access support to arrange an author visit through the Scottish Book Trust's Live Literature programme.

Hope to see some of you at an event!

Tuesday, 18 July 2017

Fringe elements

Quite naturally for me, I'm appearing on the fringe of things a couple of times over the next few weeks.

First up, I'm excited to be part of the special Two Crime Writers and a Microphone podcast recording at the Harrogate festival this Friday:



Steve Cavanagh and Luca Veste play 'Two Truths and a Lie' with top crime writers A.K. Benedict, Elle Croft, Mason Cross, Julie Cohen and Isabel Ashdown for their popular podcast Two Crime Writers and a Microphone.

Watch live from The Incident Room studio!

Click here to book tickets [SOLD OUT]


...and in August I'll be appearing as part of Blackwells Bookshop's Writers at the Fringe event running alongside the Edinburgh festival:



Now in its tenth year, Blackwell's Writers at the Fringe brings you once again the best in Scottish writing.  Every Thursday during the Festival we invite a selection of Scottish performers to give us a taste of their work.

New and unpublished works of literary art stands alongside established novelists, from folk music to contemporary fiction and all that is found in between.

Thursday 24th August
Sara Sheridan
Peter Ross
Natalie Fergie
Daniel Shand
Mason Cross


The event is free, click here to book your ticket

For more information or if you would like a signed copy of any of the books because you can't make it to the event, please contact Ann Landmann on 0131 622 8222 or ann.landmann@blackwell.co.uk

Check out my events page to see where else I'm going to be, including Bute Noir, Oban and Bloody Scotland.

Hope to see you over the summer...

Monday, 12 June 2017

Bute Noir and Bloody Scotland



I'm going to be appearing at a couple of festivals later this summer; one old, one new and I can't wait.

First up, Bute Noir, now in its second year, and running 4th - 6th August. I'll be appearing on two panels: Americana with Steve Cavanagh and SJI Holliday, and State of Emergency with Steph Broadbribb. Apart from that, I'll be hanging around all weekend and checking out some of the other great events with Alex Gray, Denise Mina, Craig Robertson, Luca Veste, Caro Ramsay and many more.

The lineup is excellent and ticket prices are a steal - check out the Bute Noir website for more.

After a signing at Waterstones Oban on Saturday 19 August, I'm delighted to be appearing at Bloody Scotland for my fourth year running, this time with US bestseller Chris Carter. Our panel is called From Tinseltown to Sin City, it's on Saturday 9 September, and you can book tickets here.

As always, Bloody Scotland has a fantastic lineup including Ian Rankin, Simon Kernick, Lynda LaPlante, Val McDermid and Denise Mina, so if you're thinking about going, you definitely shouldn't hesitate - download the full brochure here.

I'll also be at Harrogate in July, details to follow of what should be a very fun event on Friday, and will add be adding new events to my website as they're confirmed/

See you on the road!

Saturday, 28 January 2017

Events coming up

A few dates for the next couple of months. It's likely I'll be adding some more in the lead-up to the publication of Don't Look For Me, but in the meantime here's where I'll be (click on the dates for more detail):

  • Thursday 2 March - World Book Day talk at the Dick Institute, Kilmarnock
  • Sunday 12 March - I'm delighted to be in conversation with Ian Rankin about 30 Years of Rebus at Glasgow Royal Concert Hall
  • Wednesday 12 April - I'm reading and giving a talk at East Kilbride Central Library
Keep an eye on my events page for more soon.



Excitingly, I'm also going to be in New York City in a week or so for the American release of Winterlong.  I'll be doing an informal signing or two, so will let you know where you can get signed copies if you're in the market.

Aside from that, I'm just looking forward to a trip to my favourite city in the world, and meeting my American publishers Pegasus for the first time. Last time I visited, I wasn't a published author yet, so I can't wait to see Winterlong in a real NYC bookstore.

Finally, there's still (just) time to win one of 10 paperback copies of The Time to Kill if you're in the UK - enter the Goodreads giveaway by midnight on Monday for a chance to win a copy pre-publication. Look - the lovely Laura from Orion has taken a nice photo of one in the wild:



Sunday, 11 December 2016

What I've been up to, and what's happening with the next book, anyway?

 



Apologies for my lack of blogging lately, but I've been making up for it in other areas.

Getting out and about for one. I just completed the final date on a tour of WHSmith stores in central Scotland, taking in Hamilton, East Kilbride, Glasgow, Ayr, Livingston and Stirling. 


 It was a really fun experience getting out and chatting to people, some of whom I was even able to persuade to buy a book. Big thanks to the team at Smiths for organising everything and making me feel very welcome at every stop.


I also made a couple of other appearances, one at East Kilbride Library for Book Week Scotland, which was great, plus a talk to my old primary school (pictured below). Speaking to sixty ten-year-olds was hands down the most terrifying experience of my writing career to date, but it was also awesome. I didn't have to persuade them of the benefits of reading books and writing their own stories, because most of them were already doing both. Fantastic questions, too. 


What else...?

I got copies of the large print edition of The Samaritan delivered in hardback - another great job from Magna Books:


The Time to Kill picked up another nice review from Crime Review:

"In Blake we have a hero with questionable motives but one that is fundamentally likeable...The Time To Kill is an exhilarating and absorbing thriller making good use of fast-paced action, scenes of tension and convincing characters."

I guested on a couple of great blogs: a Q&A on From First Page to Last and Seven days in the book world for Cool Books, where I talk about everything I've read over a week. 

I put the finishing touches to the copyedit of the fourth Carter Blake book, which at the time of writing is still going to be called Don't Look For Me (preorder now! It's out 20th April in the UK). It's a change of pace from the epic scale of the last one, and I had a lot of fun writing it. I just hope everyone else will enjoy reading it.


I appeared at Noir at the Bar in Carlisle with an excellent lineup of crime writers including Jay Stringer, Matt Hilton and GJ Brown. If you're not familiar with the format, the title basically says it all: crime writers reading short pieces in a bar. 

This one took place in the Old Fire Station in Carlisle, which was a great venue. I decided at the last moment to read a really old story of mine called A Living. It seemed to go down okay, but for me the real pleasure was watching the other writers do their thing. 




Oh yes, and the only other minor part of news is... 

I've started work on the fifth Carter Blake book. 

Although I work mostly on computer, I've got into a tradition whereby I write the first chapter of a new book longhand in a pub. And that's just what I did last week. 

Wish me luck...


Saturday, 15 October 2016

Public service announcement: two titles, one book

If you've been wondering why I have two books coming out in the space of six months, the answer is I don't. Unfortunately, I'm just not that fast. The Time to Kill and Winterlong are in fact the same novel.

While it's not the first time one of my books has different titles in different territories...


...it is the first time it's happened between English language editions.

What I really want to avoid is people accidentally buying the book twice, because cover and title aside, they are exactly the same book. Of course, if you're fully aware of that, I have no objection to anyone buying these or indeed any of my books twice.





So in the UK, the third Carter Blake novel is titled The Time to Kill. It's available right now in trade paperback and ebook, and will be published by Orion in mass market paperback on February 9 2017 - you can preorder on Amazon now with the price guarantee.

Over in the USA, my publisher Pegasus loved the original title and have decided to stick with it, so Winterlong will be hitting the shelves on February 7 2017 - again, you can preorder the hardcover edition right now.

The other news is I'm aiming to be in New York City for US publication day, and I'm going to try to get around some American bookstores for the first time. Stay tuned for more details...

Saturday, 3 September 2016

WHSmith signing tour



I'm pleased to announce that I'm going to be doing a mini-signing tour of WHSmith stores in central Scotland over the next couple of months. The tour is focusing on The Samaritan, because The Time to Kill isn't out in paperback until next year.

WHS has been a big supporter of me (not least through the Richard and Judy Book Club promotion), so I'm looking forward to doing my first actual book tour with them.

You can see full details of these events both on the WHSmith Events blog and my website, but here are the dates. If one of the stores is near you, come along and say hello!


 
 

Thursday, 25 August 2016

Encounters, Bloody Scotland and some great reviews



It's not long now until the gore-drenched staple of the literary year that is Bloody Scotland - my event is on Sunday 11 September and I'm appearing with Steve Cavanagh and GJ Brown on a fake Americans panel, which should be a lot of fun. Book tickets here, and you can win signed books from all of us by retweeting this link:



I'm pleased to say I'm back at the fantastic Encounters Festival this year on 26 October at Coatbridge Library. Find out more about how to get your free tickets on the festival website, and check out lots of other great author events including fellow crime peeps Marnie Riches, Matt Bendoris, Sophie Hannah, Martina Cole, Theresa Talbot and Tim Weaver.

Speaking of library events, I've updated my Live Literature page over at Scottish Book Trust. If you live in Scotland, your library can book me to come and talk through this excellent scheme, so let them know about it if you would like me to visit a library near you.

As always, check the Events page on my website for new dates.

You still have until Sunday to win a signed copy of The Killing Season - all you have to do to be in with a chance is sign up to the Mason Cross Readers Club:


Join the Mason Cross Readers Club

* indicates required





https://www.amazon.co.uk/Time-Kill-Mason-Cross-ebook/dp/B011A97F8Y



The Time to Kill seems to be doing pretty well, and I suddenly seem to have a big backlog of lovely reviews to link to. See below for a taste, click through to read the full reviews:

Grab This Book says:

An action adventure (and a chase story) across the USA which kept me gripped as I read. A five star thrill-fest.

Adventures in Crime Fiction Land was lukewarm about The Samaritan but finds The Time to Kill more to his liking:

The Time to Kill is a roller coaster ride of tension, a great read that touches on geo-political issues and the war on terrorism while delivering a darn good yarn. On the basis of this and book 1 (book 2 just not being my cup of tea, though as I say, there was nothing wrong with the writing) Mason Cross is certainly somebody who's writing I will watch out for.

Meanwhile, The Crime Warp comes up with a brand new suggestion of who could play Carter Blake in the movie:

Action packed and sensitive - a James Bond type book for the 2000's (Maybe if Idris Elba doesn't get the 007 role he could play Carter Blake?- just saying).

Tweet me, Idris, we'll do lunch.

Going down under, Readings picks The Time to Kill for its best new crime reads in August:

I really love picking up a special-ops-type thriller like Cross’s The Time to Kill – they’re always so supremely satisfying. Someone’s usually died in a dramatic, sneaky fashion by the end of the prologue, there’s usually travel to all kinds of international countries (or at least their bars/hotel rooms/abandoned warehouses), the main character knows how to handle themselves, someone gets their comeuppance, people slam phones down in anger – you get it, and you love it too.

Stuff says:

If you've come across either of his first two thrillers, you will know this writer is a keeper. If not, put him on your list.

Also in the Antipodes, the radio station Newstalk ZB's resident book reviewer gives Blake's latest adventure a big thumbs up. Fans of Kiwi accents like myself will want to listen to the link in full:

The story starts to really race and it's very cleverly constructed with a dual narrative ... people that like Lee Child and Jack Reacher would probably really enjoy this.

The Morning Star calls it "a superior example of the chase thriller" and goes on to say:

[Blake's] former employers are coming after him, the truce he made with them when he left no longer in force. But they trained him well and he’s not going to be easy to kill. There’s all the set-piece action you could hope for.

If those reviews make you want to read more, the novel is available from all good bookshops - go here to buy in your chosen format. If you enjoy it, taking a moment to write an Amazon or Goodreads reviews is a big help.

That's all for now... see you in Stirling?








Tuesday, 9 August 2016

Competition - win a signed first edition of The Killing Season


Want to win a signed first edition of the UK trade paperback version of The Killing Season?

It's the first novel in the Carter Blake series. Blake has to stop a lethal sniper rampaging across the Midwest. People who have said nice things about the book include Lee Child, Lisa Gardner and even one William Jefferson Clinton.

All you have to do to win a copy is sign up to my mailing list between today and midnight UK time (7pm EDT) on Sunday 28 August 2016.

It couldn't be easier - submit your name and email address below, then click on the confirmation email and you're on the list.

I only send an update when I have something interesting to report (like a new book coming out) so you don't have to worry about being bombarded with spam. That conjures up an interesting image, doesn't it?






The lucky winner will be selected at random and contacted by email to let them know they've won and to get a mailing address.

The competition is open to anyone, anywhere in the world.

I'll sign it (and personalise it if you want) and post it to you, wherever you may be.

And just while I have your attention, I'd like to draw your attention to some upcoming events:

11 August - Hillhouse Library, Hamilton
6:00pm | Hillhouse Road, Hamilton, ML3 9TX
Free event - contact the library on 01698 710400 for tickets.

16 August - The Ben Cleuch Centre, Tillicoultry
7:00pm | Park St, Tillicoultry, FK13 6AG
Contact Clackmannanshire Libraries on 01259 452262 for tickets.

11 September - Bloody Scotland, Stirling
1:30pm | The Golden Lion Hotel, 8-10 King Street, Stirling, FK8 1DQ
Tickets £7.50/£6.50, available from the festival website.

26 October - Encounters Festival, Coatbridge
7:00pm | Coatbridge Library, Buchanan Centre, 126 Main Street, Coatbridge, North Lanarkshire, ML5 3BJ
Free event - visit the festival website for tickets.

Okay, good luck!


Saturday, 9 July 2016

An Author's Guide to Surviving a Signing

Courtesy of Lisa Gray
So the launch of The Time to Kill took place at Waterstones in Argyle Street, Glasgow on the evening of 29th June. It went really well, thanks to some skilled questioning by fellow author Douglas Skelton and a great turnout from supportive friends, readers and bloggers.

After the excitement had died down, it got me thinking that one of the things I’ve learned since the publication of my first novel, The Killing Season, is that there’s a lot more to a signing event than, well, signing.

There are many different formats to author appearances, from panel discussions with other writers, to Q&As, to solo ‘An evening with…’ style events. There are some features common to almost all, though, and like all good boy scouts know, it’s important to be prepared.

With that in mind, here are my eight top tips for surviving a signing:

1. Expect the unexpected

A lot of times, you’ll be asked the same questions:

“Where do you get your inspiration?”
“Did you always know you wanted to be a writer?”
“Do you put people you know in your novels?”

In my experience, though, there’s always an unexpected question at every event. Like the opening question from a book group I attended: “What is wrong with you?”


2. Water

If it’s an event that involves you giving a reading or talk, and / or answering questions, one thing is guaranteed: you’ll be doing a lot of talking, and it helps to keep your voice lubricated.

3. Keep the reading short

I’ve been surprised to find that some authors absolutely hate giving a reading. Having done a few myself now, I understand why – reading your work out loud in front of an audience is a completely different skill from writing it. It’s a performance. Given that writing is a fairly solitary profession, it can be disconcerting to have an entire roomful of people staring at you.

I don’t love readings, but I don’t hate them either, and I think I’m getting better at it with practice. Besides, the reading is a pretty effective hook to hang the rest of the event on, and it gives you a chance to showcase some of your best work.

Unless you’re a gifted performer (and even then…) my advice is to keep the reading short. The last thing you want is a portion of your audience falling asleep. 3 minutes is ideal, 5 is probably the maximum.

Courtesy of Gordon from the Grab This Book blog

4. Ask the audience some questions

This was a great tip given to me by Sarah Ward, and it works a treat. Try asking the audience a few general questions near the start. What kind of genres do they read besides crime? Do they prefer to read on paper or ebook? Stuff like that. Nothing challenging, like asking for their 12 point plan to bring about world peace.

It warms them up and gets them used to a bit of back and forth. This pays dividends when you’re looking for their questions later on.


5. It’s nice to split the work

An interview is a good format - having someone conversing with you about your book and asking some more structured questions about your work. Douglas was great a couple of weeks ago, and at my previous launch, Craig Robertson even sprung a surprise quiz on me, which I failed miserably. It’s fun to have another writer or journalist on stage with you, not least because it halves the amount of time you’ll be speaking.

Courtesy Gordon again! 

6. You can’t predict how well-attended a particular event will be, but it doesn’t really matter

I’ve done events with over 100 people and events where only 3 people have turned up, and thoroughly enjoyed both. You can tweet and blog and Facebook about upcoming events to your heart's content, but you will never know what the turnout will be like until you get there.

The bottom line is, if one person shows up, they’ve made an effort to be there, so you have to show them a good time. And besides, that person might tell a bunch of their friends how great your book is. And how unfazed and down-to-earth you were about the fact that nobody showed up.

7. Bring a pen

Kind of obvious this one, but it’s difficult to sign a copy of your book without one. It’s your call what type of pen to use – a good old fashioned Sharpie is my standby – but I’ve seen authors use bespoke stamps and different coloured pens to be a little fancier. The most important thing is, make sure whatever you write with uses permanent ink and won’t smudge.

8. Always, always, ask how the person you're signing for spells their name

Even if the person tells you they’re called Tom, there’s a chance their name may actually be Thom.



That's it for now. If you came along to the launch, thanks again. If you missed it and would like to come along to a future event, check out my events page where you'll find details of my upcoming whereabouts from the Harrogate festival to an Oxfam bookshop.

And if you'd like me to come and speak near you, just ask your local library or bookshop to get in touch, I love to go to new places.

Wednesday, 1 June 2016

Bloody Scotland - (Not) Born in the USA

The Bloody Scotland 2016 programme is launched today and I'm delighted to be appearing at this awesome festival for the third time.

I'm on with my Orion partner in crime Steve Cavanagh and also GJ Brown at the following event:

(Not) Born in the USA

Sunday 11 September from 1:30 pm - 2:30 pm | £7.50/£6.50


Despite being two Scots and a Northern Irishman, G. J. Brown, Steve Cavanagh and Mason Cross chose to set their crime novels in the good old US of A. Their pacy, high-octane thrillers are straight off the Hollywood playbook but have they really earned their stars and stripes? California-based Scot Catriona McPherson will find out if they can tell their APB from their BOLO. 


It should be a blast, and as a big Springsteen fan, I approve of the title.

You can book tickets for our event here, and don't forget to check out the full programme for lots of other great crime writing events and panels.

Remember to check out the events page on my website for upcoming dates - before we get to Bloody Scotland I have a couple of library events, #ScotLitFest, and of course the launch of The Time to Kill. And most of these are free, so you have no excuse not to come and heckle me at some point this summer.


Wednesday, 23 March 2016

Upcoming events - including this week!

I've just updated the events page on the website. Three library events and my first ever trip to Harrogate for the legendary Theakstons Old Peculier Crime Writing Festival. I'll be hosting a table at the author dinner on the Saturday night, so if you've ever had a hankering to dine with a crime writer, I hope you'll consider me.


Hamilton Town House - Thursday 24 March, 7:30pm 

Larkhall Library - Tuesday 10  May, 2:00pm

Theakstons Old Peculier Crime Writing Festival author dinner - Saturday 23 July, 7:00pm

The Ben Cleuch Centre - Tuesday 9 August, 7:00pm



Hope to see you at one of these. Or heck, even all of them, if you happen to have a social life as quiet as mine.

Hamilton Town House - I probably won't need the whole building...

Sunday, 13 March 2016

Why America?


The other day I was delighted to be part of an author panel at Aye Write - Glasgow's biggest literary festival, which takes place every spring in the fabulous Mitchell Library.

I was in good company, with fellow crime writers Douglas Lindsay and Mark Leggatt, and the theme was an interesting and unusual one:  it was titled Beyond These Shores, because the three of us are from Scotland, but have chosen to set our books further afield. My books as you probably know take place in the US, Douglas's latest, Song of the Dead, is set in Estonia, while Mark's Names of the Dead takes in Zurich, Paris, Morocco and Tehran.


It was a really enjoyable panel, expertly chaired by Shari Low, and I particularly liked that it took a question I get asked all the time and made it the central focus of the evening. It reminded me of a piece I wrote in 2014, in the run-up to the publication of Killing Season, that attempted to address this question. I can't remember who I wrote it for, or if it ever saw print, but I thought I'd revisit it.

So here it is: Why My Books Are Set in America


Although I'm still fairly new to the professional writing experience, I'm already becoming accustomed to being asked certain questions. Number one on the list is, "How do you find time to do that with three kids?" To which the answer is, I have absolutely no idea, and unfortunately I’m not blessed with a Victorian-style ‘seen and not heard’ environment. In second place is, "Why did you choose to set the book in the United States rather than somewhere closer to home?"

I have a better handle on this question, because there are actually a few different reasons. 

Firstly, I write what I like to read. While the novels I love aren't exclusively American (or even exclusively in the crime genre) a lot of my absolute favourite authors from Chandler and Hammett through MacDonald and Leonard right up to Child, Crais and Connelly set their thrillers in America. When I started to write my own stories, all of those influences and many more were bubbling away under the surface.

There are practical reasons, too. In some ways, you have more freedom when you take the US as your location. The story comes first of course, and you could probably set most novels just about anywhere, but America is the land of the free for a writer. There’s a massive geographical area to play with, dwarfing the UK and Western Europe. You can visit bustling metropolises or barren wildernesses and everything in between. You have freedom of movement across four million square miles, crossing fifty boundaries with no need for a passport. There is huge variation in local culture, but everyone speaks English. That’s before you get to the bonuses specific to crime writers: the ubiquity of guns. The tradition of frontier justice. The fact that dozens of real-life serial killers are thought to be operating in America at any given time. 

Lastly – and this is hardly ever a good excuse – I decided to do it because other people were doing it.

John Connolly from Dublin, RJ Ellory from Birmingham, Matt Hilton from Cumbria. And of course one of the biggest names in the business, Lee Child, who began writing his all-American thrillers at his dining room table in Birmingham.  I decided if those guys could do it and find success, it seemed like a viable career option.

Once you look beyond the literary world, you realise that there’s a long and honourable tradition of Brits working in quintessentially American art forms, from Hitchcock’s Hollywood thrillers to the rock n’ roll of the Rolling Stones to Grant Morrison’s superhero comics.

Perhaps that’s because we absorb American popular culture in almost equal measure with our own here in the UK. Most Brits will count American movies and TV shows and bands among their favourites. And we have one big advantage – we can be familiar with American culture and society, we can even blend in to an extent, but we are always outsiders. For a writer, that's a must. It’s also the reason I've made my protagonist Carter Blake an outsider. He's a man of the world, but not necessarily a native of any city or state.

When it came to researching my American-set novel, The Killing Season, I drew on my own trips across the pond – to Los Angeles, San Francisco and New York. I spoke to my American friends to get ideas and check details and ask about the things only a local would know. I backed that up with a lot of research using all the tools that a writer has at his disposal in the twenty-first century: books, travel guides, newspaper articles, websites, satellite maps, discussion forums. When I had a working draft, I recruited my American friends as early readers, asking them to be on the lookout for mistakes and inaccuracies and rogue Britishisms. They caught me out a few times, but the consensus was I’d done a serviceable job of sounding authentic.

If I was surprised by anything, it was by the fact it was less difficult to write about another country than I might have expected. Perhaps that’s because a lot of the local detail is about set dressing – important and necessary, even vital – but ultimately of secondary importance. Because the most important things to get right are the things that are universal: a compelling story, a thrilling atmosphere, believable characters. If you work hard at those things, then the research and the local colour ends up doing what it’s supposed to: serving the story.

Fitting in the writing around three delightful but demanding children, though? That’s a challenge.

Wednesday, 3 February 2016

Reviews and upcoming events

I've updated the events page at the website with some new dates:

  • Blantyre Library - 15 February, 2:00pm
  • Waterstones Kirkcaldy - 26 February, 7:30pm
  • Aye Write festival - 12 March, 7:30pm

I'm really looking forward to all of these, especially Aye Write, where I'm on the bill with Mark Leggatt and Douglas Lindsay chatting about setting our thrillers internationally. Go here for more details on all of these - the Aye Write event is ticketed but the other two are completely free.

Elsewhere, Darren Brooks has posted a wide-ranging interview with me together with a really excellent, insightful dissection of the first two books over at his blog, titled 'A Ghost to Catch Ghosts'. I particularly enjoyed his likening of the series to anthology television shows - I hadn't really considered this, but it's a good point, and will hold true for Winterlong:


The anthology approach to the series works well, too. Like that practised by TV shows such as True Detective and Fargo – whose subsequent series tell new stories with new characters whilst retaining the parent title – it is an ideal device by which to gradually chip away at the hidden biography of Blake. Dropping the character into new cases with different investigatory teams is perfect for a man with secrets to maintain, in that he does not develop ongoing professional relationships and so avoids the familiarity common to conventional serial fiction, particularly the team ethic inherent to the police procedural. In adopting this anthologised style, it is ensured that Carter Blake – both the character and the history his chosen name is designed to disguise – lives on. For now.


I was really pleased to get a double-page spread in the Glasgow Evening Times about the Richard and Judy selection (apologies for my crappy camerawork - the full story is online here).




And hot on the heels of the US publication of The Samaritan, a great American notice from Raven's Reviews:


“Carter Blake” manages to remain mysterious. Precious and few are the clues that Blake drops, and little is told about the man at all. This doesn’t stop him from being a combination of James Bond and Jason Bourne, with maybe a pinch of the Punisher thrown in for seasoning.


Perhaps unsurprisingly, I love all of those characters, but it's the first time the Punisher has been mentioned. Makes sense, as I was reading Garth Ennis's superlative Punisher MAX around the time I was writing Killing Season. Funnily enough, that was basically a crime anthology series that revolved around one character.



Finally, I've just sent out my first update to the mailing list to mark the UK paperback and US hardcover publication of The Samaritan. If you want to be kept in the loop with occasional updates on when each new book is coming out, all you have to do is sign up right here - I promise not to spam you:

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That's it for now - I'll be posting about a new Goodreads giveaway next week, so watch this space!