Bloody Scotland again

Having attended Bloody Scotland as a member of the crime-reading public this time last year, I was delighted to be invited to be part of an author panel this time around.

The weekend got off to a well-lubricated start with a drinks reception hosted by Stirling Council at the old town hospital. After that, we headed down the hill (Stirling is big on hills) to see the opening event: Chris Brookmyre and Denise Mina, who had a lively and free-flowing conversation onstage about everything from their latest work to the referendum that had taken place the previous day. Ah yes, the referendum - after the frenzied debate of the past few weeks, it was nice to spend the weekend in a bubble where people were more interested in talking about books and where to go for the next drink.

Saturday dawned and I managed to finish the second of my co-panelist's books before my event at lunchtime. After being briefly delayed by a quartet of Elvises dressed as janitors...

...(did I really just type that sentence?) I found myself sharing a stage with two other debut authors: Eva Dolan (Long Way Home) and Hania Allen (Jack in the Box). Although I think we suffered a little from being scheduled opposite the Scottish vs English crime writers football match (Scotland won convincingly), we had a pretty good-sized crowd.

We discussed a wide range of topics, from why women read more crime fiction than men, to how we come up with the characters, to how we got published. It was really interesting that the three of us had followed quite similar routes: failing to find a publisher for our first novels, experimenting with self-pubbing through Amazon, and eventually getting a deal with a traditional publisher. It could be a giant coincidence, or perhaps this is the way it happens in the 21st century. Either way: a great advertisement for not giving up at the first hurdle.

With my panel out of the way, I headed down to The Murder Room - Orion Crime's popup presence alongside Waterstones in Stirling's Albert Halls. It was great to see POD paperbacks of some of the classic noir titles Orion has been bringing back as eBooks (everything from Geoffrey Household's Rogue Male to Robert Bloch's Psycho) and to be inveigled into being photographed in a really crap John D Macdonald related pun. On the other hand, they also had gorgeous samplers of The Samaritan, alongside the new Denise Mina and Anthony Horowitz books (it was awesome being mentioned in the same breath and on the same banner as these bestsellers). 

I stuck around for the big Saturday evening event: Ian Rankin interviewing Kathy Reichs, and as a big fan of both, it was great to hear them talk shop for an hour. I particularly liked hearing about the different approaches they had to TV adaptations of their work, with Reichs exec-producing and consulting on Bones and Rankin having taken a more hands-off (to date, at least) approach to Rebus.

After dinner at a pretty good Italian place, I headed to the bar in the Highland Hotel and had some interesting conversations, including one where a few of us came up for a pitch for a romantic cat detective mystery. Late night chats in the bar are one of my favourite things about book festivals, although I think I might leave it to others to execute that particular idea.

After signing some copies of Killing Season at the Stirling branch of Waterstones, Sunday at Bloody Scotland got going with some multi-hyphenates: journo-turned-author Craig Robertson interviewing actor-turned-author John Gordon Sinclair and footballer-turned-author Arild Stavrum. I was particularly inspired by JGS's example of building a writing shed at the bottom of the garden, complete with electricity, a burglar alarm and a beer fridge.

After that, I saw Alexandra Sokoloff, Gordon Brown and James Oswald discussing the supernatural in crime novels, and a rumination about the nature of evil. I rounded the weekend off with Ian Rankin, solo this time, speaking about his career to date, his year off, and his next book.

In a competitive field, I'd have to say Bloody Scotland was narrowly my favourite festival next year. Looking forward to hitting the circuit next year with a new book.

Bloody Scotland

I've been working flat out on the latest draft of the new Carter Blake book (the one that comes after The Killing Season), so I haven't had time to blog about my trip to Bloody Scotland. It was a lot of fun, and I even managed to get some writing done in between talks and beers. I've been to a few one-off events at literary festivals before, but this was my first full-blown crime writing festival.

It's a pretty new festival, in only its second year, but is already attracting attendees and big-name writers in droves. The first thing that really struck me was how well organised it was. Teams of volunteers on hand to direct you to the correct suite in the correct venue, talks that started and finished perfectly on time, well-ordered signings. Generally the operation seemed to work like a well-oiled AK47.

The second thing that struck me was how... integrated the whole thing felt. In a good way. There was no real attempt at demarcation between rank and file paying customers and the talent. Big-name authors were milling about the venues and buying drinks in the bar. There was no velvet rope separating the readers from the writers. Which was just as well, because almost everybody I met was both. I met a lot of cool people, both fans and authors, and got some great ideas and advice.

The centrepiece of the festival was the Scottish Crime Novel of the Year dinner on Saturday night. The guest authors were sprinkled liberally around the tables, so that everyone had a 'name' writer at the table. I got Craig Robertson, and took full advantage of the fact by interrogating him about the best way to be a working crime writer. Craig gave me some great advice and told me that as a writer with an agent and a book deal, I'm now eligible to join the Crime Writers Association. By coincidence, I had recently picked up Craig's Cold Grave, which has now moved to the next slot on my to-read list.

I went along to see my fellow Orion author Denise Mina talking about her experiences working for DC Comics, and particularly adapting Girl With the Dragon Tattoo for the medium. Denise was great as always (intimidatingly great - she could pretty much give up the writing and get paid for going around the world giving interesting talks), and it was interesting to hear about the process of adapting a novel into the graphic medium and the importance of being nice to artists. Interestingly, the crowd was mostly crime readers rather than comic readers, and Denise had to explain to them the age-old split between Marvel and DC fans. I've actually never really been firmly on one side or the other, and I can't understand people that refuse to read a book purely based on which company publishes it, but there you go. If you push me, I guess I'm a Marvel guy, but I like Batman better than any Marvel character.

Mark Billingham and Stuart Neville teamed up for a great event called Masters of the Dark, and the topics ranged from the pros and cons of killing off a series character to real-life policing anecdotes that would sound ridiculous if you tried to put them in a work of fiction. As someone once said, just because it happened doesn't mean it's believeable.

I went along to see Craig Robertson (along with Chris Carter this time) for a fascinating talk on serial killers, both fictional and real. It was great timing for me, as I'm currently finishing off a serial killer novel, and it was both comforting and alarming to discover there are other people who sit around all day thinking up ingenious ways to get away with murder. I'd love to read a medical thesis someday on the crossover between serial killers and crime fiction authors.

The festival closed with the main attraction: Lee Child. I've been a massive fan of Lee's since I picked up my first Reacher book a few years ago, and he didn't disappoint in person. He covered a lot of ground onstage, from his own life story to the deceptive heights of Hollywood stars. As a writer, I was particularly interested in what he had to say about the genesis of Reacher, and how so much of what is fundamental about the character (his lack of a supporting cast, freedom from a drinking problem, his approach to laundry, even his name) came about as a reaction to a lot of the existing conventions in crime fiction. He also gave us a glimpse into Reacher's future, and at an eventual end-point to the series.

I stuck around for the signing and got to meet Lee in person. He was friendly, approachable and cool, like most of the thriller authors I've met. I got him to sign Never Go Back for my wife, who's also a big Reacher fan (she had stayed at home with the kids to let me go to the festival, so I thought she really deserved it).

After that, I got back in the car and headed home to get back to work on book two. Killing Season will have been out for a few months this time next year, so it would be nice to come back to the festival as a published author, as well as a fan.