Showing posts with label Simon Kernick. Show all posts
Showing posts with label Simon Kernick. Show all posts

Thursday, 20 April 2017

Don't Look For Me - publication day


The fourth Carter Blake book: Don't Look For Me is published today in the UK, Canada, Australia and New Zealand. You can get it in all formats from the usual places - links below for your preferred online book emporium.

The advance reviews have been fantastic, and Simon Kernick says it's "A fast-paced, high octane thriller".

I hope you like it too - if you do, I'd love it if you could take a couple of minutes to leave a review on Amazon or Goodreads.
 
You can also let me know on Twitter or Facebook what you thought of it, and since it's being released at this time of year, you can let me know if you find the hidden Easter egg...


Trade paperback (large format)

ebook

Audio
Audible  




Don't look for me.

It was a simple instruction. And for six long years Carter Blake kept his word and didn't search for the woman he once loved. But now someone else is looking for her.

He'll come for you.

Trenton Gage is a hitman with a talent for finding people - dead or alive. His next job is to track down a woman who's on the run, who is harbouring a secret many will kill for.
Both men are hunting the same person. The question is, who will find her first?

Thursday, 6 April 2017

Don't Look For Me - trade paperback

One of my favourite things about being an author is getting to see and touch the completed product for the first time. So here in all its orangey glory, is the trade paperback edition of Don't Look For Me.  

The cover people at Orion have done another stellar job on this one, and I'm so pleased to have a brilliant jacket quote from one of my big influences as a thriller author - Simon Kernick.

As it happened, I got my first copy in the post on an unusually beautiful day, so the new arrival got some fresh air and sun. 

If you want one of these babies, you don't have long to wait. It's published on 20 April in the UK, and you can preorder from Amazon, Waterstones and all good bookshops.














Monday, 20 February 2017

Don't Look For Me - cover reveal

Here's the brand-new cover for the fourth Carter Blake book: Don't Look For Me, published in the UK by Orion on April 20. I love it!

This story takes Carter Blake from a sleepy barrier island on the Gulf Coast all the way to the glittering lights of Las Vegas, and then out into the most remote parts of Arizona. Normally, Blake is all-business, but this time his connection to the case couldn't be more personal.

I think the cover does a fantastic job of capturing the mystery and isolation at the heart of the book.

And just as an added bonus, one of my favourite thriller authors Simon Kernick has read an advance copy and liked it enough to give me a fantastic quote, which is used on the cover. 



UK pre-order:

Trade paperback (large format)

ebook

Audio



Don’t look for me.

It was a simple instruction. And for six long years Carter Blake kept his word and didn’t search for the woman he once loved. But now someone else is looking for her.

He’ll come for you.

Trenton Gage is a hitman with a talent for finding people – dead or alive. His next job is to track down a woman who’s on the run, who is harbouring a secret many will kill for.

Both men are hunting the same person. The question is, who will find her first?

"Mason Cross is a thriller writer for the future who produces the kind of fast-paced, high octane thrillers that I love to read." - Simon Kernick

Monday, 5 October 2015

Bloody Scotland 2015

Belatedly posting about this year's Bloody Scotland festival, which was my third time at BS, and possibly the best yet.

The weekend got off to a good start with the reception at the old town hospital, where I chatted to some familiar faces like Steve Mosby, Craig Robertson and Neil Broadfoot. After a quick dinner, I caught up with Jon Wood, Orion's fiction publisher  and fellow thriller scribe Steve Cavanagh, and we adjourned to shoot some pool.

I quickly realised why Jon had suggested this particular activity, and was backed up by one of his more noted authors.


Steve held up creditably, I remembered why I don't play pool.

Saturday was busy. After checking out the display in the bookshop...


...I realised I had left it too late to get a ticket for either Denise Mina or the New  Blood event, but managed to get to see Chris Brookmyre, who was brilliant value as usual. I spent most of the day in the bar (it was work, remember?) catching up with the rapidly-growing list of cool writer and bookish types I know, including Eva Dolan, Helen Giltrow, Susi Holiday, Steph Broadribb, Liz Barnsley, Sarah Pinborough, Simon Kernick, Ian Rankin, Tom Wood, Douglas Skelton, Craig Robertson, Alexandra Sokoloff, GJ Brown and James Oswald.

I caught Steve's Breaking the Law event late in the day, which was good fun as expected. With a Yorkshireman, a Belfaster and a New Yorker moderated by a Kiwi, it had the distinction of being, as Angela McMahon pointed out, the most strongly-accented panel of the festival.



After an excellent dinner in the Maharajah with Jon and Angela from Orion, we headed along to Stirling's cutely-named Curly Coo pub for one of the newest fixtures in the Bloody Scotland calendar: Crime at the Coo. This was a fringe event to the main awards dinner, but as it became clear whenever I asked anyone, it was the place to be on Saturday.

A stellar lineup of crime writers took a spot to do - as the incredibly-detailed brief had it - "something different". So among many, many other things we had Doug Johnstone accompanying Val McDermid on guitar, Chris Brookmyre reading a story, Steve Cavanagh doing poetry, and one of the high points of the weekend, the Slice Girls performing 'Cell Block Tango': an appropriately murderous number from Chicago.


I pitched in with my own "something different" - reading the classic one-star review The Killing Season got a few weeks ago, which also doubles as a handy summary of the book. Once again, I felt an awesome sense of pride that something I wrote could inspire such a fantastic hatchet job.

Sunday morning, and I suddenly remembered I still had a panel to do. Before that, I dropped in on Pitch Perfect - an annual event where half a dozen hopefuls each have three minutes to pitch their novels to a panel of publishers. All of the books sounded intriguing, and in the end there was a three-way tie for the winning entries. It all made me feel very glad that I didn't have to go through that terrifying experience.


I caught up with my co-panelists in the bar ahead of our thriller panel, and then it was time for Tom Wood, Gordon Brown, Simon Kernick and yours truly to take the stage. Once again, I was the newbie on the panel: Tom had four books under his belt, Gordon five and Simon an impressive fourteen.


It was a lively discussion, ranging from how we carry out our research to how we got published. Between us, we seemed to have been rejected by just about everyone in the business before finally landing a deal, and I was left awestruck at Simon's determination in particular: he spoke about shrugging off literally hundreds of rejections before finally getting a yes. It's certainly paid off for him. All of us were rejected a lot but refused to give up, so the message seemed to be it's important to be a stubborn bastard. There were some great questions on research and the benefits of a cover quote from Lee Child.


After that, we signed some books, posed for a Usual Suspects-esque lineup with the concurrent Edinburgh crime panel of Neil Broadfoot, James Oswald and Doug Johnstone.


A ticking clock on the babysitter meant I missed the big football match (I'm told it was a hard-fought draw this year), and just like that, Bloody Scotland was over for another year...